DJ WORKZ: January 2018

Literature 1

AYOS LANG ANG BUHAY SA MANILA

By DJ Workz - January 29, 2018

AYOS LANG ANG BUHAY SA MANILA

Bienvenido Lumbera

Ayos lang ang buhay sa Maynila.

Wala kang paki sa hindi mo pami,

at ika'y pababayaan

ng 'yong kapitbahay.

Singkipot ng inuupahang entresuwelo

ang mundo, tamang-tama:

may banyo, may kusina.

Ma'no kung mayroon man bendor

na nsagasaan ng dyip sa Espina?

Hindi mo alam (di naperyodiko kasi)

ng isang buntis ang naglunod sa Pasig kahapon.

Mabalitaan mo ma'y di mo naman kilala.

Basta ligtas ang eskinitang patungo sa inyo,

malalim man ang baha sa Sta. Cruz, ay ano?

Nakatanghod ang dalawang bata

sa pagkagat mo ng siopao

o paghigop sa sabaw ng mami.

Puwedeng di mo pansinin,

para nung weyter sulok

na nagtitiris ng tagihawat.

Salbahe' ng mga bata 'yan--

malimit naaaksidente ka na'y

ikaw pa'ng dudukutan.

Para sa 'yo, ang pakikisama'y

para nung gripo sa banyo--

tantiyado mo kung kailan

hangin lang ang ihahagok,

at kung anong oras naman

may tutulong tubig

pag binuksan.

Meet the Writer

Bienvenido Lumbera (11 April 1932-) is a noted poet, literary critic, scholar and librettist. He was proclaimed National Artist for Literature in April 2006. He was also the recipient of the Ramon Magsaysay Award for Journalism, Literature, and Creative Communications in 1993.

Lumbera was born on April 11, 1932 in Lipa, Batangas. At one year of age, his father died from a fall from a fruit tree. At the age of five his mother died of cancer. He was raised by his grandmother Eusebia Teru who, according to Lumbera, exercised a definitive influence on his life. When his grandmother died, he lived with his childless godparents Enrique and Amanda Lumbera.

Lumbera spent his high school years in Mabini Academy and went on to earn a degree in journalism at the University of Santo Tomas where he graduated in 1954. He took up masteral and doctoral studies in Indiana University, where he graduated with a Ph.D. in Comparative Literature in 1967. His doctoral dissertation Tagalog Poetry, 1570-1898: Tradition and Influences on its Development was eventually published by Ateneo University Press in 1986.

Lumbrera introduced a new aesthetic to traditional Tagalog literature with what is known as Bagay Poetry. Lumbera taught literature and creative writing at Ateneo de Manila University, De La Salle University, University of the Philippines, and at the University of Santo Tomas. He was also appointed visiting professor in Osaka University from 1985 to 1988. He was also the first Asian scholar-in-residence at the University of Hawaii. With the declaration of Martial Law, he was arrested in January 1974. In December of that year, he was released from jail upon petitions of his former student Cynthia Nograles, whom he later married. IN 1977 he became editor of Diliman Review, which was openly against the Marcos regime.

In 1993 he received the Ramon Magsaysay Award for Journalism, Literature, and Creative Communication. He was also awarded many literary awards, including the National Book Awards and the Carlos Palanca Memorial Awards. (http://en.wikipilipinas.org/index.php?title=Bienvenido_Lumbera)

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Fiction

Generations

By DJ Workz - January 29, 2018

Generations

Ninotchka Rosca

¹Mumbling calmed the soul. To Selo, this was knowledge that came with old age. He would sit outside on the front ladder, his bare feet resting on the last rung, and mumble. Words would push up from between his lungs, past his tonsils, and work their way between hist toothless gums. His lips spat them out in small explosions. There were any number of things to mumble about" sometimes he told a story, sometimes he just followed the movement of the sun from east to west, sometimes he grumbled about the house, the canal was a shimmering distortion in a brown palm of land distorted by heat waves.

²The two boys playing in the yared had grown used to Selo's mumbling. The older, nine years of age, drew a circle on the ground with his dirty forefinger. He was not quick enough, and two drops of sweat fell from his brow into the circle. Against the soil's glitter, the sweatdrops were black, shallow holes. He studied them for a moment; then, carefully, he covered the holes with two chipped marble--one orange, one blue. Just outside the line he had drawn, his brother's toes dug into the powdery earth. The older by ignored his brother just as he ignored Old Selo.

³Grandfather's bad humor, their grandmother used to say, had started with the withering of his right hand. The bird-claw that resulted had not been her fault. As a matter of fact, she had saved his life. The claw was nothing more than an extraneous addition to the whole--regretable but unimportant. She had saved his life. Because of the debt, the boy's memories of the old woman were rimmed with guilt. No one had been able to help her when her turn to die came.

⁴It took place at the height of the monsoon season. The house was so waterlogged the bamboo posts had split their brown skins and were mottled green. A translucent pair of leaves even sprouted from the middle node of the bamboo holdin the kitchen wall up. Grandmother, who had complained of chest pains for weeks, had a coughing attack so fierce she sounded like a joyous frog. The fit lasted for hours. It would take her by the throat and snap her small head back and forth, while bits of matter—red, flecked with foam—ejected from her mouth and darted around like tiny bats. Mother, a Lysol-soaked rag in her hand, chased the steaming bats ans shouted for the rest of the family to keep away. It was hard work, but she would not allow anyone to help. Finally, grandmother gave a terrible series of yelps. Her eyes disappeared into her head. She fell, cutting her brow on the pallet's edge and overturning the chamber pot.

⁵Since that time, the boys had known that a man's interior was dark red and gray, spongy and foamy. This was wisdom uncovered by death: a man's interior was uninteresting, made up of tissue so dark-red it turned black in the gaslight. A man was neither good nor bad inside, only uninteresting.

⁶Old Selo, on the other hand, could not remember that evening. One day his wife was there; the next, she wasn't. After thinking about it, Old Selo decided that death was a sin of omission where the dead forgot to live. It was all as simple as that. The dead didn't do anything. The living mumbled like him, shouted like his daughter-in-law, cursed like his son, cried like his grandsons, or turned into beauties like his granddaughter. She was fifteen years old and had dark brown skin and straight black hair reaching down to the small of her back. With her large eyes, her nice mouth, she could have a future. Selo glanced at the sacks piled near the shed-brown jute sacks fat with rice grains. It had been a good harvest.

⁷His claw itched. His left hand caressed it. Like all the men in the village, he had indulged in man-talk in his youth. He and the other men had been members of a supposedly national society of peasants. They had gathered in the empty schoolhouse during evenings and had made plans for the future. It had been exciting to think of cramming the landlord's genitals down his throat. It had been exciting to talk of snaring and roasting his dogs grown vicious on a diet of meat. The dogs had chased old Selo once, when he had tried to deliver the landlord's share of the harvest himself.

⁸In high hopes, Selo had had the society's insignia tattooed on the skin web between his thumb and forefinger. Other men in the village carried the blue sickle on their bodies-on the chest, above the heart; on the thigh;on the skin web between thumb and forefinger. It betrayed them when the landlord's goon squads started kicking house doors down. The massacre went on for months, with the odor of putrid flesh mingling with the harvest fragrance. The rivers seemed full of crocodiles then, with all the bodies floating in the water.

⁹The landlord's men hadn't reached their village yet, but old Selo's wife was already screaming that he was a dead man. Taking his courage in hand, he whetted his fan-knife and prepared to excise the tattoo. At the last moment, however, he remembered his friends, bodies fertilizing the fields. He dropped the knife. His wife cursed him for three hours and finally lost her patience. She heated a silver coin in the charcoal stove and with her blackened firethongs dropped it on Selo's tattoo. The house posts shook with the old man's bellows, and disconsolate screams answered him form a cloud of ricebirds hovering over the field. The trick worked. When the metal cooled, his wife ripped the coin off Selo's hand, deftly stripping the flesh underneath, Selo, angered by his wife's triumph, wrapped his hand in a rag. He refused to let anyone look at the wound.

¹⁰The boys waited for the vehicle to come into sight before rising to their feet. It was a jeep with a trailer and a dust streaking behind it. When the jeep stopped before the bamboo gate, the dust cloud blew towards the house, forcing the boys to avert their faces. Old Selo remained as he was and tasted gritty soil on his lips. Four men jumped off the jeep. All had tooled leather gunbelts around their waists. One wore a buri hat.

¹¹"Your father home?" the man with the hat asked.

¹²The boys looked at each other. Finally, the older one shook his head.

¹³"That's all right," one of the men called out. "The rice is here, anyway."

¹⁴The hatted man scratched his nape all frowned.

¹⁵"Listen now," he said to the boys. "Tell your father he left only thirty sacks of rice for the propietario. He should have left fifty. Then, he owes me ten more for the seeds and five more for the weeder. So, we're talking thirty-five sacks now. Can you remember that?"

¹⁶The boy felt he should say something but could not find the words for what he wanted to say. He gave shrug and nodded.

¹⁷"Okay," the man turned to his companions. "Load up."

¹⁸One of the men was strong enough to lift an entire sack by himself. The other two worked together. As they moved back and forth, the pile of sacks sank closer and closer to the ground.

¹⁹"Come on, come on," the man with the hat said, "it's tricky business. Never know what these peasants will do."

²⁰He tugged at a sack impatiently. Old Selo scuttled off the ladder, drew something hanging on the nearest house post. He rushed towards the men. The boys shouted. It was enough warning. The man with the hat evaded the downward slice of the machete. The blade buried itself in the topmost sack's belly. Old Selo tugged at the hilt, and gold kernels bathed the jute sacks. Without hurry, the man with the hat seized Old Selo's wrist and wrung the weapon from him. Reversing the machete, he struck Old Selo's chest with the hilt. A cry escaped the old man. His spine hit the ground and the man with the hat pinned him with a foot.

²¹"It's okay," he said to his men. "I'll keep him quiet. Hurry up now. I don't want more trouble."

²²When the jeep with the trailer disappeared, the boys helped Old Selo back to the ladder. He seemed to have forgotten the incident and resumed mumbling, his lips speckled with blood. The boys looked at each other. They walked to the gate, squatted down, and waited.

²³It took some time for the horse-drawn rig to appear at the roads' rise. It moved so slowly that the boys could hardly keep still. They lost control when they recognized their mother and sister among the passengers. The older boy was aware of his incoherence, but impatience pushed the words out of his mouth. The afternoon's story had to be told. Still shouting, he watched his mother climb down the rig and help his sister maneuver a basket past the dirty wheel. The horse, its flanks covered with sweat and whipmarks, snorted; its skin trembled.

²⁴The mother tried to wipe off the blood from Selo's mouth, but it had dried and would not come off. She released her skirt's hem impatiently and pushed the old man up the ladder. Meanwhile, the two boys menaced the basket their sister was carrying. She threatened them with a fist. They shied away, returned and tried to peer into the basket, sending it banging against the girl's shins. She shouted at them to leave her alone. There was nothing in the basket but food. The distressing news set the younger one wailing. Mother leaned out of the window and ordered him to stop or else...

²⁵Inside the house, Old Selo had clean lips again, his daughter-in-law having used a wet rag on his face. He watched as she prepared the evening meal. She held an eggplant down with her left hand, forefinger extended and pressed against its end, while her right hand stroked through the eggplant's flesh with a knife. Her fingertip was never more than a hair's breath away from the blade as it sliced through the vegetable. She grumbled as she worked. She had warned Old Selo's son, she said, but he would not listen. He kept talking about the law. But what in god' name had the law got to do with people? Laws were paper and ink: they were kept in filing cabinets in offices in town and city building. Now, if it were the law of the sun or the seas or of the earth, that would be an altogether different matter. People's laws had nothing to do with people.

²⁶The girl smiled at herself in the cracked mirror on the wall. Her eyes sought out the photograph of an actress pinned on the wall. Like her, the actress had limpid eyes and a small mouth. The girl sighed and lifted the wight of her hair from her nape. God willing, she would have a future. She smiled again, then picked up a thin blue towel draped on a battered bamboo chest.

²⁷"Where are you off to now?" her mother asked in her usual harsh voice.

²⁸"To the canal, " she said, "to take a bath."

²⁹"Take the boys with you."

³⁰The girl crinkled her nose. "Why do I have to?"

³¹"Because you're no longer a child," came the answer. "Because of what could happen which must not happen."

³²"It's not as if I take my clothes off," the girl muttered, but her voice had lost its conviction.

³³"Take the boys with you."

³⁴THEY tried to keep the canal's lips as bare and hard-packed as the summer fields, but green things somehow managed to make their way there. They look root overnight, dipping hair tendrils into the water: bizarre flowers of purple and yellow, stringy weeds, and the mimosa pudica. The girl hated the mimosa for its deceptive shyness. At the least touch, its leaves folded and drooped but only to bare the thorns on its stems.

³⁵The boys stripped immediately and dived into the water. They swam, transformed into sleek brown puppies with iridescent limbs and bodies. The girl watched. Then she too entered the water. First she washed her hair, scrubbing it with crushed herbs and leaves. Then groping beneath the water, she cleaned the soft secrets of her body. Her fingers cupped her unfinished breasts. Sighing, she leaned back in the water and lifted her face to the sky where the sun was beginning to cool.

³⁶It was nearly dusk when they left the canal. The boys shared the weight of a pail of water while the girl shivered in her wet clothes. At the backyard's edge, the girl shivered in their wet clothes. At the backyard's edge, the girl abruptly signalled for the boys' eyes widened. They turned to the sister, but something in her face made them look away. A clatter of tin plates erupted from the house. There was the sound of a slap, a sharp cry. Then, the creaking of the ladder as someone came down in a hurry. The girl showed her teeth.

³⁷Dinner was ready. The mother was picking up plates from the floor. She pointed to the table. The boys smiled and carried the pail into the kitchen. The girl changed her clothes.

³⁸"Rice!" the older boy exclaimed. "Not gruel. Real rice."

³⁹"Might as well eat it," the mother said. "It won't last very long."

⁴⁰She drowned the rice mound on Selo's plate with soup. A twinge of anger shot through the girl. It was shame and a waste. Grandfather couldn't take anything solid anyway. But that was the way it was, the way it had always been. Even with eating, one took a vow akin to marriage--one ate as the others ate, for richer and for poorer.

⁴¹Old Selo waited for the table to be cleared. It seemed hardly possible that the day was over, as the day before had been over. The sun was born in the east, died in the west; the dry season came and merged with monsoon season. Flood and drought. And all through the changes of time, men worked in the fields, holding on and holding out, coaxing the earth into yielding the golden kernels, so tiny they seemed like babies' gaps. Why couldn't the sun and the rain clouds be nailed to the sky? Instead of men, the elements should hold on. Hold on, as his wife used to say.

⁴²Obediently, the old man lowered his body to the mat spread out by his grandsons. His body loosened its moorings and entered the sea of sleep. He dreamt, his dream melting into the dreams breathed out by his daughter-in-law and his grandchildren. One dream now possessed the house, each member of the family giving to it. There were scenes of joy, a morning rimmed with hope, a child's universe of a toy.

⁴³"Wh-wh-what?" the granddaugther murmured.

⁴⁴Something was in the yard. It moved, its bulk rustling against the nipa fronds of the house's walls. In the dark, the boys' eyes were pitted stars. The girl looked at her mother, the older woman was also awake, listening in the dark. Before she could say anything, the door stood, his head and shoulders dusted by moonlight.

⁴⁵Resentment came into the room. The man halted, prowled about the accusing air of his family. His insulted soul gave him pride. Son-of-goat, he said, he was a man, and a man had rights. So the law decreed. Circling, he came upon a ace. His grief ballad itself into a fist. Without a word, he smashed a blow into his wife's face.

⁴⁶Something heavy struck his back and clung to his neck with little claws. The man beat at the thing on his back. He swept it off and threw it to the floor. He began to kick at it. But the white bat shrieked in his daughter's voice. The man stopped. The shadows were unravelling themselves. There were his wife, his sons, his daughter and Old Selo, his father, curled like a gnome in the corner. He found the door and lost himself in the night.

⁴⁷"Stop him," the mother cried out.

⁴⁸"Not me, " the girl said. "He kicked me. The son-of-a-bitch- kicked me."

⁴⁹"Don't say that," the mother said. "Follow him and see he's all right."

⁵⁰"He's drunk."

⁵¹"Do as you're told," the mother said, dabbing at the blood on her mouth. "It's curfew time. If the soldiers find him, everything will be over for sure."

⁵²The girl did not move.

⁵³"Please follow him," the mother said. She was still stroking her mouth. "Please. We have to—to hang on."

⁵⁴The girl kicked at a pillow.

⁵⁵"All right," she said. "But if he kills me, it will be on your head."

⁵⁶"Take your brother with you," the mother called out.

⁵⁷The older boy was already running after his sister. He caught up with her in the yard. She took his hand, murmured something that sounded like everything had to be over and led him to the gate. Moon-touch had transformed the world, and the two halted before the alien landscape. The boy felt he was gliding on silver water. From a distance came their father's voice. He was cursing the night.

⁵⁸"He's making for the town," the girl said.

⁵⁹"Son-of-a-whore," the boy muttered. "He'll hit a checkpoint for sure."

⁶⁰The girl broke into a run. The boy followed his eyes darting with suspicion among the strangely lit objects of the night world. The girl shied suddenly, bumping into her brother.

⁶¹"A snake,' she said.

⁶²"I don't see anything."

⁶³"I heard it. Never mind. Hurry."

⁶⁴It was too late. Three shadows broke the silver road. The father was trying to convince the two soldiers that a man had the right to get drunk where and how it pleased him. Particularly when the harvest was involved, yes, sir, particularly...One of the soldiers replied by pummelling him in the ribs and stomach.

⁶⁵"Pets," the boy whispered and spat on the ground.

⁶⁶"Sssh," the girl held her brother's hand. "It will be all right. He pays now. Don't worry."

⁶⁷"Pay for what? They'll take him to the barracks now."

⁶⁸"Sssh. I'll take care of this. Go home and tell mother everything's all right. I'll bring him home."

⁶⁹"Sure."

⁷⁰"Believe me. Trust me. I'll get him out."

⁷¹"How?"

⁷²The girl did not answer. Looking at her, the boy saw her lips had pull back, her teeth were bare. In the moonlight, her mouth seemed full of fangs.

⁷³SHE entered the room on tiptoe but hardly a second passed before a man's voice exclaimed: "Well, what have we here?"

⁷⁴There were two of them—one seated behind a varnished table, the other on a canvass bed. The first held a notebook and wore fatigues; the second was in his undershirt and pants and was polishing his boots.

⁷⁵"Please, sir," the girl said, "my father..." The room smelled of wax and detergent. Light spilling from a naked bulb overhead turned the floor bloodclot red.

⁷⁶"Which one is he? The men here are so active it's hard to tell who has sired whom," the sergeant said.

⁷⁷"He was picked up, sir, just a while ago." The girl swallowed. In a softer voice, she added: "He was drunk, sir."

⁷⁸She told herself that nothing had changed in the room. The bulb still swung from the frayed cord; the light was as harsh as before. There was no reason for the hair on her nape to stand.

⁷⁹"What do you want with him."

⁸⁰"I've come to take him home."

⁸¹"Child, it's not as simple as that. First, we have to take him to the judge. Violating curfew, disturbing the peace. And so on. Then we'll have a trial. Since it's Saturday, we have to wait till Monday to even begin. The judge will either fine him or send him to jail or both. It may take weeks, month—maybe years."

⁸²"Please sir, my mother's waiting."

⁸³"I suppose you can pay the fine."

⁸⁴"We don't have money," she said, flushing. "But we have rice."

⁸⁵The soldiers looked at each other. The sergeant said there was nothing to be done. As a matter of fact, the girl herself was violating curfew and he was tempted to arrest her, too. The soldier on the cot laughed.

⁸⁶"You want to see him?"

⁸⁷She nodded. The sergeant stood up and motioned for her to follow.

⁸⁸"We locked him in the toilet." he said.

⁸⁹It was an outhouse. The father rose from the cement floor when the door was opened. He bleated at the sight of his daughter.

⁹⁰"Go away," he said. "Go away. Tell your mother I'll be all right. Go on home."

⁹¹His left eyes was swollen. A blue-grey lump glistened on his forehead. The girl swallowed again. She stretched out a hand to him but the sergeant pushed her away. He closed the door on the father's voice.

⁹²"Well, he stays there," the sergeant said, "at least until he's sentenced."

⁹³The girl stood before the table.

⁹⁴"Please, sir," she said, "I must take him home."

⁹⁵"Can't do. Not unless you pay the fine. Do you have money?" The girl bit her underlip.

⁹⁶"No? Maybe you can pay some other way. What do you think?" The sergeant turned to the other soldier. "Can she pay some other way?"

⁹⁷The man laughed. His eyes glittered.

⁹⁸"I should think so. She's old enough. And pleasant girls are strong."

⁹⁹"How about it?" the sergeant asked. "You owe your father that much."

¹⁰⁰The girl's mouth opened.

¹⁰¹"Any self-respecting daughter would do much more. How about it? We'll give him a bed, make him comfortable while you've paying. At dawn, we'll give him to you. How about it?"

¹⁰²The other soldier yawned. The girl looked at the light bulb. If only the light had not been as harsh.

¹⁰³"How about it?" the sergeant repeated. "There are only four of us here. You're lucky."

¹⁰⁴Sometime in the night, the toilet door was opened and the father was taken out. He was given a cot in the barracks. Gratefully, he stretched his limbs, his sore muscles creaking. Sleep came to him, but he was awakened almost immediately. He had turned over and had nearly fallen off the cot. It must have frightened him, for his heart beat furiously for several minutes. His fear was transformed into a woman's cry. After listening for a few seconds, the father decided it was a bat shrilling in the dark. He went back to sleep and was awakened again, this time by a dog's barking. He lay with his eyes open, looking at the shadows of the strange room. From somewhere in the building came a man's low laugh.

¹⁰⁵It was morning when he rose from the bed. The sun was on the brink of rising. A soldier came and led him to the office. It was empty, the blankets on the cot neatly folded. The soldier pushed him towards the door.

¹⁰⁶"I can leave?" the father asked.

¹⁰⁷The soldier smile and nodded. He patted the father on the shoulder. A smile cracked the man's dry lips. He bounded through the open door. The cool of the morning eased the creases on his face. Under a kamachile tree, his daughter waited, a scarf tied about her head.

¹⁰⁸"What are you doing here?" the father shouted.

¹⁰⁹"Waiting," she said, dropping her eyes. "Waiting for you."

¹¹⁰He looked at her with suspicion, but she did not seem to have changed.

¹¹¹"Come quickly," she said. "Mother's waiting." She stepped away from him.

¹¹²She turned too quickly and stumbled on a pebble. The scarf slipped off and when she bent to pick it up, her skirt rose, revealing a bruise at the back of her left thigh. The father looked away.

¹¹³"Waiting," he mumbled. "That's another word for it. Waiting." He gave a short bark of laughter.

¹¹⁴Thin wisps of smoke—dewdrops evaporating—curled from the ground. The air was cool and carried the scent of roasting corn. The father's head turn, his eyes scanning the fields. A softness lay in his chest. His daughter walked in front of him and he was seized by an impulse to tell her how he had first me her mother.

¹¹⁵"Well, now" he said, clearing his throat, "I suppose we have to tell. Tell your mother."

¹¹⁶"Let's not talk," she said.

¹¹⁷He quickened his place, leaving his daughter behind. At that instant the sun touched a tree so violently that its branches crackled. The tree absorbed the light. Soaked through, it began to glisten, returning the suds’ warmth. Open-mouthed, the father looked at the tree. He was still looking at it when something hard and jagged smashed in the back of his skull.

¹¹⁸"I have the right," the daughter said.

¹¹⁹It was the boy who found them. He had left his younger brother in the fields and had wandered off, asking himself what had happened to his father and sister.

¹²⁰"Whoreson," he said, "they killed him."

¹²¹"Yes."

¹²²"Why?"

¹²³"There was no one else to kill."

¹²⁴The boy looked at her curiously. Her skirt was splattered with blood and white matter.

¹²⁵"You tried to lift him," he said—tentatively, as though it were a suggestion.

¹²⁶The girl smiled. "I learned so much this night."

¹²⁷"Well, we have to hang on. Hang together."

¹²⁸"We can take him home now."

¹²⁹The boy took her hand. "Not yet," he said. "We have to hang on. Hang together." He guided her to the path. "We'll tell mother. But first, we must take a bath. Whoreson. They must have struck him a hundred times. His head's nearly gone. A hundred times. Whoreson."

¹³⁰A whimper broke form the girl.

¹³¹"Sssh," the boy said. "It's all right. We'll tell mother. She'll find someone else. But first, we must take a bath. In the canal."

¹³²They left the road and took a short-cut across the field. They saw their youngest brother playing near the canal and waved to him.

¹³³After a while, the boy said: "It's all right. Who'll complain against soldiers?"

¹³⁴They picked up the youngest and proceeded to the can, the older boy still busy with what could happen. The girl, he said, could be indentured now, as a servant to the landlord. "Mind you take care of yourself there." he said. "Mind that you do that. And someday, someday, maybe we can all go to town and live there."

¹³⁵In the house, the mother was teasing old Selo by pretending to carry on a conversation with him. Since the old man paid no attention but merely mumbled, she was forced to comment on a variety of subjects. She made coffee for him and sat beside him. Together, they gazed out of the window. A fly hovered, and the mother flicked at it with her hand. Old Selo said something.

¹³⁶"What?" The woman asked, laughing. "Of course, flies are lovely, with rainbow wings. But let them settle on you and they'll lay eggs. They breed maggots. Don't ask me why. Maybe because they're forced to breed on trash, garbage, all the sick things. Maggots."

¹³⁷Old Selo mumbled on. The mother saw the children crossing the fields. She smiled and waved to them. They were free—so her man must be coming home soon. Yes, there they were, the three of them, the boys and the girl. They were headed for the canal which was shimmering a distortion in a brown palm of land distorted by heat waves. Old Selo looked and mumbled. Thought it was summer, enough water remained in the canal to feed the seedbeds.

Meet the Writer

Ninotchka Rosca (born in the Philippines in 1946) is a Filipina feminist, author, journalist and human rights activist who is active in GABRIELA Network USA, a member of the MARIPOSA ALLIANCE (Ma-Al), a multi-racial, multi-ethnic women's activist center for understanding the intersectionality of class, race and gender oppressions, toward a more comprehensive practice of women's liberation. As a novelist, Rosca was a recipient of the American Book Award in 1993 for her novel Twice Blessed.

Rosca is active in the Women's Anti-Imperialist League (WAIL) and is a contemporary Asian-American who is known for the short stories Bitter Country and Monsoon Country. Her short stories had been featured in the 1986 Best 100 Short Stories in the United States by Raymond Carver and the Missouri Review collection of their Best Published Stories in 25 Years, while another was included in the Ms Magazine's Best Fiction in 30 Years. She is also the author of the best-selling English language novels State of War and Twice Blessed. The latter won her the 1993 American Book Award for excellence in literature. Her most recent book is JMS: At Home In The World, co-written with the controversial Jose Maria Sison, who has been included in the U.S. list of "terrorists".

Rosca was a political prisoner under the dictatorial government of Ferdinand Marcos in the Philippines. She was forced into exile to Hawaii, United States when threatened with a second arrest for her human rights activism by the Marcos regime. Rosca has been designated as one of the 12 Asian-American Women of Hope by the Bread and Roses Cultural Project.

Rosca had been a leader in Amnesty International and the PEN American Center. Rosca was also a founder and the first national chair of the GABNet, the largest and only US-Philippines women's solidarity mass organization. She is the international spokesperson of GABNet's Purple Rose Campaign against the trafficking of women, with an emphasis on Filipinas.

She was the Director of Communications and Development at the Santa Clara Center for Occupational Safety and Health and lived in San Jose, California.

She attended the University of the Philippines and lives in Queens borough of New York City. Her lecture schedules are managed by Speak Out Now. A huge fan of science fiction, Rosca reads four books a week (three "light," one "heavy"). She is divorced and has two children.

She is currently a correspondent for the Philippine Daily Inquirer, the most widely-read broadsheet in the Philippines. (http://en.wikipedia.org/wiki/Ninotchka_Rosca)

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